{"id":25564,"date":"2023-10-11T11:06:39","date_gmt":"2023-10-11T15:06:39","guid":{"rendered":"https:\/\/world.dan.org\/?post_type=dan_alert_diver&p=25564"},"modified":"2023-10-19T11:42:10","modified_gmt":"2023-10-19T15:42:10","slug":"jennifer-hayes","status":"publish","type":"dan_alert_diver","link":"https:\/\/world.dan.org\/fr\/alert-diver\/article\/jennifer-hayes\/","title":{"rendered":"Jennifer Hayes"},"content":{"rendered":"

LES LECTEURS CONNA\u00ceTRONT LA SIGNATURE<\/strong> \u201cDavid Doubilet and Jennifer Hayes\u201d from scores of National Geographic<\/em> des reportages dans les magazines. Travaillant en \u00e9quipe, ils ont photographi\u00e9 l'oc\u00e9an sauvage, des tropiques aux deux r\u00e9gions polaires, en passant par des domaines aquatiques plut\u00f4t inhabituels. Dans les coulisses, Hayes d\u00e9crit avec humour leur partenariat comme une collaboration tr\u00e8s improbable. Acres verts<\/em> couple.<\/p>\n\n\n\n

Doubilet grew up in a home in New York City, and Hayes came from a family of dairy farmers living on 1,500 acres at the edge of Lake Ontario in upstate New York. Her early life related to their Holstein dairy, yet her rural background didn\u2019t prevent her from developing a crush on Marlin Perkins from his Royaume sauvage<\/em> series. Inspired by his treks through nature, Hayes rode horses to explore local creeks and ponds, in her words \u201clooking and collecting and doing.\u201d <\/p>\n\n\n\n

Meanwhile, her parents were more pragmatic. Their veterinarian bills were enormous, so they thought it would be great if at least one of their five kids became a vet. Hayes seemingly oriented to that idea, choosing to attend junior college during her senior year of high school to get started in science. There she met a biology professor who \u201ckicked down some barriers in my mind,\u201d she said. <\/p>\n\n\n\n

\"P\u00c8RE
P\u00c8RE ET FILS P\u00caCHEURS <\/strong>BAIE DE KIMBE, PAPOUASIE NOUVELLE GUIN\u00c9E<\/em> When David Doubilet and I were on assignment for the 125th anniversary issue of National Geographic, we could go anywhere in the world. We chose to return to Kimbe Bay, a deep basin punctuated by seamounts in a remote corner of the Coral Triangle. The story welcomed us with a monsoon and me with malaria, chikungunya, and skin bends. When the water cleared, Max Benjamin\u2019s team guided us to seamounts, explored and unexplored coral shallows where we discovered an islet near the distant Willaumez Peninsula. As we were working on a split image, a father and son fisher paddled silently into the frame, creating a moment that would disappear as quickly as it appeared. \u00a9 JENNIFER HAYES<\/figcaption><\/figure>\n\n\n\n

Hayes embraced science and went on to receive a bachelor\u2019s degree in biology from the State University of New York (SUNY) at Potsdam. She dutifully rode with a large-animal vet, took the Graduation Record Examination (GRE), and applied to Cornell University. She chose instead to pursue a master\u2019s degree in zoology at the University of Maryland, where she entered as Eugenie Clark\u2019s last graduate student. Her research under Clark focused on shark fisheries in the northwest Atlantic, which kept her at sea off the East Coast documenting shark landings. <\/p>\n\n\n\n

Clark, known as \u201cthe shark lady,\u201d was an ichthyologist of great renown, founder of Mote Marine Laboratory (originally known as Cape Haze), and instrumental in conceptualizing scuba diving as a tool for marine research. Diminutive in height, she was a giant of charisma and an influencer before the word was mainstream. She inspired Hayes to weigh practical pathways against the impractical but rewarding paths in the study of primitive fishes. <\/p>\n\n\n\n

\"Requin
REQUIN BLACKTIP <\/strong>FAKARAVA, POLYN\u00c9SIE FRAN\u00c7AISE<\/em> In Fakarava you photograph sharks on their terms. By day, hundreds of gray reef sharks soar in the South Pass current while blacktips patrol the shallows. At night, squadrons of sharks actively hunt the coral slope for sleeping reef fish, providing a rare and honest window into their world. \u00a9 JENNIFER HAYES<\/figcaption><\/figure>\n\n\n\n

Mme Hayes est entr\u00e9e dans le monde de l'entreprise \u00e0 Washington, D.C., en tant que biologiste charg\u00e9e d'\u00e9tudier l'impact sur la baie de Chesapeake. Elle a progress\u00e9 dans son travail, form\u00e9 une \u00e9quipe solide, gagn\u00e9 un salaire mirobolant avec de g\u00e9n\u00e9reuses vacances et a acquis 100 % de ses droits dans son plan 401(k). Cependant, sa proximit\u00e9 avec la baie de Chesapeake lui donnait envie de se retrouver sous l'eau pour \u00e9tudier le comportement des poissons. <\/p>\n\n\n\n

Apr\u00e8s ses heures de travail, elle r\u00e9dige une proposition de recherche sur les esturgeons et obtient un financement de la part de la New York Power Authority. Elle a d\u00e9missionn\u00e9 de son poste \u00e0 Washington et a transf\u00e9r\u00e9 le financement au SUNY College of Environmental Science and Forestry pour sa recherche doctorale sur la t\u00e9l\u00e9m\u00e9trie de l'esturgeon jaune et la dynamique de la population sur le fleuve Saint-Laurent. <\/p>\n\n\n\n

To her colleagues\u2019 surprise, Hayes chose an $8,000 per year stipend, a tin jon boat equipped with nets, and a golden retriever over a comfortable salary and never looked back. Clark had been right: Follow your heart, not the 401(k).<\/p>\n\n\n\n

\"\u00c9L\u00c9PHANT
\u00c9L\u00c9PHANT D'AFRIQUE <\/strong>DELTA DE L'OKAVANGO, BOTSWANA<\/em> One of the best and most challenging assignments was photographing beneath the surface of the Okavango Delta \u2014 a hidden Africa. I watched in awe and gratitude as the heaviest land mammal on our planet displayed joy underwater in a deep stream. The elephant polished its tusks in the gleaming sand, blew bubbles back onto itself like a spa, and then extended its trunk above the surface like a snorkel and walked slowly downstream. It seemed like a dream to witness these secret moments with magnificent creatures that are ours to stand up for or lose. \u00a9 JENNIFER HAYES<\/figcaption><\/figure>\n\n\n\n
\"Crocodile
CROCODILE AM\u00c9RICAIN <\/strong>JARDINS DE LA REINE, CUBA<\/em> David Doubilet encountered an American crocodile on its nightly patrol deep in the mangroves of Cuba\u2019s Gardens of the Queen. This remote marine park is one of the few places where you can descend into a Caribbean from the past. This coral kingdom surrounded by a complex system of mangroves is prime habitat for these crocodiles, which are familiar with daytime snorkelers. Encountering these creatures at night on their terms is incredibly rare and wonderful, but we know we are guests in their midst and exercise caution \u2014 and we work with editors to represent this species in this place as symbols of successful conservation. \u00a9 JENNIFER HAYES<\/figcaption><\/figure>\n\n\n\n

Je vois que tous les chemins m\u00e8nent au poisson, qu'il soit d'eau douce ou d'eau de mer, mais comment la photographie est-elle devenue partie int\u00e9grante de votre vie ? <\/strong><\/p>\n\n\n\n

Comme beaucoup d'entre nous ici, la science a conduit \u00e0 la narration. La recherche a donn\u00e9 lieu \u00e0 des pr\u00e9sentations internationales de donn\u00e9es de terrain \u00e0 des coll\u00e8gues et \u00e0 des parties prenantes. En tant que biologiste de la p\u00eache, j'ai pr\u00e9sent\u00e9 des graphiques et des statistiques pour d\u00e9crire le comportement de cet ancien poisson g\u00e9ant. J'ai d\u00e9crit la magie dont j'ai \u00e9t\u00e9 t\u00e9moin sous l'eau, en essayant de peindre une image mentale pour un public engag\u00e9 qui est une petite tribu tr\u00e8s d\u00e9vou\u00e9e o\u00f9 nous apprenons les uns des autres. <\/p>\n\n\n\n

Les coll\u00e8gues avaient de nombreuses questions \u00e0 poser : Une femelle peut-elle frayer \u00e0 la fois avec plusieurs m\u00e2les ? Les m\u00e2les restent-ils ? Les poissons mangent-ils leurs propres \u0153ufs ? Pr\u00e9f\u00e8rent-ils un certain substrat ? Les esturgeons sont timides et rarement accessibles, mais j'avais une fen\u00eatre, ce qui signifiait qu'il fallait s\u00e9rieusement commencer \u00e0 les documenter. La photographie sous-marine est rapidement devenue un outil de recherche important. <\/p>\n\n\n\n

\"Hayes
EN MISSION, NURSERIE DE PHOQUES DU GROENLAND <\/strong>GOLFE DU ST. SAINT-LAURENT, QUEBEC, CANADA<\/em> Hayes emerges from the sea ice in a harp seal nursery. \u00a9 MARIO CYR<\/figcaption><\/figure>\n\n\n\n

Comment avez-vous appris la photographie sous-marine ? Photographier l'esturgeon dans les eaux troubles du Saint-Laurent semble \u00eatre une esp\u00e8ce cible difficile, d'un point de vue photographique.<\/strong><\/p>\n\n\n\n

Truthfully, the greatest challenge was the limited time I had with them. There\u2019s a maximum of one week each June when they migrate to the spawning areas where they congregate, are pumped on hormones, and ignore your presence or maybe even try to spawn with you. I splurged on an underwater housing with a wide-angle lens and, rather stupidly, a costly glass dome with strobes and the requisite Nikonos V (with a fisheye lens) draped around my neck for an extra 36 frames. <\/p>\n\n\n\n

J'ai suivi une courbe d'apprentissage abrupte avec des inondations, des d\u00f4mes outrageusement ray\u00e9s et des cadres sous-expos\u00e9s. Les anciens sont apparus et j'ai cr\u00e9\u00e9 des images d'esturgeons faisant des choses secr\u00e8tes. Les subventions f\u00e9d\u00e9rales, nationales et priv\u00e9es sont arriv\u00e9es plus rapidement lorsque les bailleurs de fonds ont r\u00e9alis\u00e9 qu'ils pouvaient documenter visuellement leur investissement dans la conservation de cette esp\u00e8ce menac\u00e9e. <\/p>\n\n\n\n

J'ai rapidement appris que les images ont un pouvoir et qu'elles valent bien plus que 1 000 mots ou donn\u00e9es. Les photographies ont donn\u00e9 lieu \u00e0 des articles dans des publications sur la conservation, NPR, le New York Times<\/em>des revues \u00e0 comit\u00e9 de lecture et des contributions \u00e0 des ouvrages.<\/p>\n\n\n\n

\"Baiser
M\u00c8RE ET PETIT PHOQUE DU GROENLAND <\/strong>GOLFE DU ST. SAINT-LAURENT, CANADA<\/em> On the last day of our harp seal assignment I found a mother and pup harp seal interacting at the floe edge. The mother coaxed her pup off the ice and greeted it with an underwater kiss of recognition, using scent to identify each other. We knew this behavior happens on the surface of the ice, but biologists did not know that it also occurs underwater. Each year I return to watch, listen, and document behavior above and below the nursery as this Gulf of St. Lawrence population faces catastrophic loss of stable ice required for pup survival. \u00a9 JENNIFER HAYES<\/figcaption><\/figure>\n\n\n\n

Vous avez quitt\u00e9 l'eau douce pour la mer, un partenariat, et National Geographic<\/em>? <\/strong><\/p>\n\n\n\n

David et moi nous sommes rencontr\u00e9s il y a mille ans sous l'eau \u00e0 Bimini, aux Bahamas, o\u00f9 je travaillais sur les requins citron avec feu Sonny Gruber de l'universit\u00e9 de Miami. Pour capturer les femelles gravides, j'ai install\u00e9 des blocs et des stations d'app\u00e2t lest\u00e9es dans les eaux peu profondes, dans le but de rep\u00e9rer les lieux o\u00f9 les requins mettent bas. <\/p>\n\n\n\n

I was underwater assessing a female when someone submerged with a fancy camera and began taking pictures. That somebody was David Doubilet, who was there to document Gruber\u2019s program. We brought the female to the surface, quickly attached her transmitter, and released her. She swam for the shallows and began birthing her pups. David had what he came for: the first birth of a shark. Our team had what we came for: more proof that lemon sharks drop their pups near the protective cover of mangroves.<\/p>\n\n\n\n

Par la suite, nous nous sommes crois\u00e9s dans des laboratoires marins, sur le terrain et dans des centres de recherche. National Geographic<\/em> over many years as I assisted on various grant projects. A Doubilet\u2013Hayes partnership formed, where I would submit images, and selects got published, but it was rightfully a David Doubilet vision and byline in those days. Eventually, editors suggested a shared byline. <\/p>\n\n\n\n

Aujourd'hui, David ou moi pouvons proposer une mission en fonction de nos int\u00e9r\u00eats, qui peuvent \u00eatre tr\u00e8s diff\u00e9rents. Je suis actuellement en train de documenter deux histoires de longue dur\u00e9e pour le compte de National Geographic<\/em>Le changement climatique : un regard global sur l'esturgeon et le phoque du Groenland. <\/p>\n\n\n\n

No matter where the inspiration originates, we generally approach these assignments as a team \u2014 unless it involves a snowmobile, snowshoes, skis, or a horse, and then it is all mine. <\/p>\n\n\n\n

\"Fonte
CORAL SPAWN <\/strong>R\u00c9CIF MOORE, GRANDE BARRI\u00c8RE DE CORAIL, AUSTRALIE<\/em> This not just any coral spawn. This is Moore Reef, a small patch of reef that survived the sequential mass coral bleaching on the Great Barrier Reef. This survivor coral was able to spawn after thermal stress during another record-setting heat wave, so it became a coral spawn donor. A team under ecologist Peter Harrison captured and replanted the coral larvae onto degraded reef. \u00a9 JENNIFER HAYES<\/figcaption><\/figure>\n\n\n\n

Avec deux photographes aussi talentueux sur une m\u00eame mission, y a-t-il une comp\u00e9tition pour les photos ? Ou bien comptez-vous qui obtient le plus de photos dans l'article final ? <\/strong><\/p>\n\n\n\n

There is zero competition. The story is far more important than the credit \u2014 his, mine, or other contributors. Every single click of the shutter is a team collaboration that includes the people who fill the tank, drive the boat, or guide you to a subject. Land in a different country and see how far you get without priceless support. The best part of any assignment is submitting an assistant\u2019s work along with our own \u2014 or better yet, discovering a body of work out there and getting their coverage in front of the right editor. <\/p>\n\n\n\n

National Geographic Partners nous a permis de collaborer \u00e0 de nombreuses histoires, \u00e0 des projets de livres, \u00e0 Lindblad Expeditions et \u00e0 des tourn\u00e9es de conf\u00e9rences Nat Geo Live. Nous participons \u00e9galement \u00e0 des projets commerciaux et personnels, les collaborations dans le domaine de la conservation \u00e9tant prioritaires. <\/p>\n\n\n\n

It has been a privilege to support the Ocean Geographic Elysium Expeditions in Antarctica, the Arctic, the Coral Triangle, and most recently the Antarctic Climate Expedition in February 2023. A team of established and emerging photographers, videographers, scientists, musicians, writers, and artists create a body of work that includes a book, film, and an exhibition that goes on tour where it will have the most impact \u2014 not museums or out of the way art galleries, but major shopping malls in places such as Beijing, Shanghai, and Chendou, China, where young people come to buy the next new thing. These projects are well worth the investment. The best part is working with old friends and making new ones. <\/p>\n\n\n\n

\"rascasse
RASCASSE \u00ceLE DE SUMILON <\/strong>PHILIPPINES<\/em> <\/strong> As a biologist, I am always looking for behavior. I was getting low on air as I waited and watched this scorpionfish move painfully slow to position itself beneath a clownfish-laden anemone off Sumilon Island, Philippines. This master of disguise disappeared in front of my eyes as its chromatophores displayed as coral while the camouflaged predator waited for its opportunity to ambush an unsuspecting anemonefish. \u00a9 JENNIFER HAYES<\/figcaption><\/figure>\n\n\n\n
\"Corail
CORAIL ELKHORN AU COUCHER DU SOLEIL<\/strong><\/strong> JARDINS DE LA REINE, CUBA<\/em> <\/strong>Working in Cuba\u2019s Gardens of the Queen is like turning back the Caribbean\u2019s clock to a time when sharks patrolled the edge of a fish-cloaked reef. Our guide, Noel Lopez, took us to a large elkhorn coral meadow, where we spent the day carefully photographing schools of snappers that filled the coral branches and spilled across the sand floor. Dusk brought a sunset that accentuated the golden elkhorn that kept us there, each of us working separately and reverently quiet in this oceanic museum. \u00a9 JENNIFER HAYES <\/figcaption><\/figure>\n\n\n\n

We\u2019re friends on social media as well as in real life, and I\u2019ve noticed some of your most highly trafficked posts are videos. Do you find yourself moving more in that direction?<\/strong><\/p>\n\n\n\n

Moving or moved? We have a clear mandate now: Don\u2019t come back without the video. Video is probably half of what I do. Not surprisingly, I am the designated videographer among us. I\u2019ll use whatever it takes \u2014 GoPro, drone, dedicated iPhone, or digital camera. <\/p>\n\n\n\n

Disney est d\u00e9sormais propri\u00e9taire de National Geographic Partners. Pensez \u00e0 tous les canaux qui s'offrent \u00e0 vous pour int\u00e9grer la vid\u00e9o dans vos projets : Programmation sp\u00e9cifique \u00e0 Disney, TikTok, Instagram, filiales d'ABC, productions YouTube, tourn\u00e9es de conf\u00e9rences et National Geographic Expeditions. La demande s'ajoute \u00e0 une discipline que nous devons prendre au s\u00e9rieux. <\/p>\n\n\n\n

L'avantage, c'est que j'aime \u00e7a. L'inconv\u00e9nient, c'est de passer de l'image fixe au num\u00e9rique. Quel que soit le format dans lequel je tourne, je pense que je devrais \u00eatre dans l'autre. Je ne peux qu'esp\u00e9rer que si je l'ai en vid\u00e9o, David l'a en photo. <\/p>\n\n\n\n

\n
\n
\"CALMAR
LE CALMAR DE NUIT <\/strong>RAJA AMPAT, INDON\u00c9SIE<\/em> Blackwater diving has become popular with many shooters around the world. It is hard to sit at the dinner table after a long day when you know the sea is throbbing with creatures of the night. Hoping to meet something new, I convert wide angle to macro on my Seacam housing, add spotting lights, and head out into the sea. This squid and I bonded until it had enough of me, creating an artistic cloud of ink and disappearing into the black. \u00a9 JENNIFER HAYES<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"Poisson
POISSON EN TUNIQUE <\/strong>ANILAO, PHILIPPINES<\/em> For our work, blackwater diving adds another dimension to our day, place, or assignment. By day we focus on reefs, pelagics, wrecks, or a specific topic. If time, tide, and weather align, we can drop into the twilight zone to see who lives in the night sea. A good night produces customers such as flying fish, jellies with jacks, and this larval fish hiding inside a salp, trying to survive the night. A great night is an immortal jelly or my still-coveted blanket octopus. I find the night sea a peaceful place \u2014 until you encounter an ancient but still fishing ghost net at 90 feet. \u00a9 JENNIFER HAYES <\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Que nous r\u00e9serve l'avenir ?<\/strong><\/p>\n\n\n\n

We\u2019re directing our efforts on conservation, collaborations, and the next generation of ocean advocates. We are specifically interested in giving voice, space, and place to emerging talent by getting them on our shoulders to reach higher \u2014 or deeper in our case. We are stalking scientists and their work toward solutions in the sea and bringing their stories out of peered-reviewed papers and into the public eye. <\/p>\n\n\n\n

Nous \u00e9tions \u00e0 Raja Ampat, en Indon\u00e9sie, en janvier 2023, pour ReShark, une nouvelle solution simple pour la conservation des requins : Remettre les requins dans la mer. Mark Erdmann, de Conservation International, a vu une opportunit\u00e9 lorsqu'il a appris que les aquariums abritant des requins z\u00e8bres avaient des exc\u00e9dents d'\u0153ufs de requins z\u00e8bres. Sachant que les zones marines prot\u00e9g\u00e9es de Raja Ampat abritaient des populations de requins z\u00e8bres, il a eu une id\u00e9e. Aujourd'hui, ReShark repr\u00e9sente plus de 70 parties prenantes qui d\u00e9placent les \u0153ufs vers des nurseries de requins en Indon\u00e9sie, o\u00f9 des scientifiques marins locaux les \u00e9l\u00e8vent et les rel\u00e2chent. <\/p>\n\n\n\n

These stories are valuable because they allow us to share hard truths about loss, provide solutions, and document conservation successes that may inspire others to innovate. You can\u2019t beat up people and send them off with only doom and gloom. <\/p>\n\n\n\n

Our job now is to prioritize projects with impact. David will focus heavily on the Oceans Through the Lens of Time project, and I will head to the Canadian Arctic on snowmobile with scuba tanks. In the meantime we will connect with other storytellers to document the most important story on Earth: Earth Itself. Keep shooting, and come find us underwater. Let\u2019s collaborate! AD<\/p>\n\n\n\n

\n
\n
\"esturgeon
LAC STURGEON <\/strong>ST. LAWRENCE RIVER<\/em> Thousands of fertilized eggs have been collected from wild St. Lawrence lake sturgeon in June each year since the 1990s. Researchers raise the sturgeon to fingerling size and release them in designated systems in October. These 7,000 sturgeon are released into a future where they will hopefully appear on sturgeon spawning beds in 25 years. \u00a9 JENNIFER HAYES<\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n

EN SAVOIR PLUS<\/strong><\/p>\n\n\n\n

En savoir plus sur Jennifer Hayes et voir d'autres de ses travaux dans une galerie bonus et ces vid\u00e9os.<\/p>\n\n\n\n\t\t\n\t\t

\n\n\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t \t\t\t\t \n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t\n\n\t\t\t \n\t\t<\/div>\n\t\t\n\n\t\t