{"id":25556,"date":"2023-10-11T09:58:18","date_gmt":"2023-10-11T13:58:18","guid":{"rendered":"https:\/\/world.dan.org\/?post_type=dan_alert_diver&p=25556"},"modified":"2023-10-19T11:40:41","modified_gmt":"2023-10-19T15:40:41","slug":"underwater-photography-with-compact-cameras","status":"publish","type":"dan_alert_diver","link":"https:\/\/world.dan.org\/id\/alert-diver\/article\/underwater-photography-with-compact-cameras\/","title":{"rendered":"Fotografi Bawah Air dengan Kamera Ringkas"},"content":{"rendered":"

MANY DIVERS DON\u2019T WANT TO TAKE LARGE<\/strong> digital single-lens reflex (DSLR) atau kamera mirrorless yang mahal saat menyelam. Tujuan mereka adalah mengabadikan kenangan untuk ditunjukkan kepada keluarga mereka atau diposting di media sosial, bukan untuk mendapatkan gambar bawah air dengan kualitas terbaik. <\/p>\n\n\n\n

Kamera saku, yang harganya terjangkau dan membutuhkan pengalaman dan usaha yang minimal, dapat menghasilkan hasil yang memukau jika penggunanya mengembangkan keterampilan fotografi tambahan. Berikut ini adalah sebagian informasi dasar mengenai kamera saku dan cara menggunakannya untuk menghasilkan gambar yang lebih baik.<\/p>\n\n\n\n

DASAR<\/h3>\n\n\n\n

Kamera saku biasanya memiliki lensa zoom terintegrasi atau lensa fokus tetap, yang keduanya cukup memadai untuk penggunaan di bawah air. Secara umum, kamera saku biasanya memiliki kedalaman ruang yang lebih besar karena ukuran sensornya yang lebih kecil. Fitur ini bagus untuk fotografi sudut lebar, tetapi bisa menjadi tantangan jika Anda ingin memiliki latar belakang yang buram saat memotret subjek kecil seperti nudibranch. Sebagian besar kamera saku juga mendukung perekaman video 4K. <\/p>\n\n\n\n

The smaller sensors can perform well in good light conditions but may struggle when the light is weak. A spotting light can help achieve a sharp focus in darker conditions. Shooting fast-moving animals may also be challenging \u2014 the autofocus functionality won\u2019t be as sophisticated as that of a full-frame mirrorless camera. <\/p>\n\n\n\n

Modern compact cameras have better shutter lag (the time from pressing the shutter until the camera records an image) than they used to, but it is still slower than top-of-the-line cameras. The best workaround is to anticipate the subject\u2019s movement and hold the camera steady after pressing the shutter. <\/p>\n\n\n\n

\n
\n
\"kamera
To photograph a small subject, you need a camera with a close-up feature, or you can use a diopter or macro lens with your underwater housing. \u00a9 TOBIAS FRIEDRICH<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"nautilus
This image of a paper nautilus hanging on a small palm leaf was taken using a SeaLife DC2000 camera with a macro lens and a small light during a blackwater dive in the Philippines.\u00a0\u00a9 TOBIAS FRIEDRICH<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

KAMERA DAN RUMAH<\/h3>\n\n\n\n

The compact cameras on the market offer a range of values and prices. It\u2019s a good idea to choose from well-established brands such as Panasonic, Canon, Olympus, Sony, or Nikon. Companies such as Ikelite Underwater Systems have a wide variety of housings customized for each camera model. In the amphibious realm (cameras that can go underwater without a separate housing), SeaLife cameras offer a quality product with a full line of lights and accessory wet lenses. <\/p>\n\n\n\n

Apabila menggunakan kamera saku yang ditempatkan dalam wadah, cermati secara khusus semua cincin-O yang menutup wadah. Jaga kebersihan O-ring, servis sesering mungkin, dan pastikan tidak ada rambut atau kotoran yang menempel pada O-ring sebelum memasangnya kembali ke tempatnya. Lumasi dengan sedikit pelumas sebelum memasangnya ke dalam alur. Pelumas sering kali khusus untuk jenis karet yang digunakan untuk membuat cincin-O. Menggunakan merek yang salah dapat membuat O-ring membengkak dan tidak terpasang dengan baik, jadi pastikan Anda memiliki jenis yang kompatibel dengan rumah Anda.<\/p>\n<\/div>\n\n\n\n

\n
\"Housing
Housings are available for most compact cameras. \u00a9 TOBIAS FRIEDRICH<\/figcaption><\/figure>\n\n\n\n

Sesekali, bersihkan bagian dalam housing, khususnya port depan, dengan handuk mikrofiber. Kamera saku dapat menghasilkan panas, dan housing biasanya berbentuk pas, sehingga udara di dalam mungkin jauh lebih hangat daripada air laut di luar, menyebabkan housing berkabut. Paket pengering dapat menyerap kelembapan dan menghilangkan masalah ini. Sebagian besar rumah tahan air hingga kedalaman 132 kaki (40 meter), yang memadai untuk penyelaman rekreasi.<\/p>\n\n\n\n

Kamera amfibi sepenuhnya tertutup dari intrusi air tetapi dapat memiliki batas kedalaman dan aksesori sistem yang bervariasi. DJI Osmo Action 3, misalnya, memiliki peringkat hingga 52 kaki (16 meter), sehingga Anda dapat menggunakannya di terumbu karang yang dangkal, tetapi lebih cocok untuk snorkeling. SeaLife Micro 3.0 adalah solusi lengkap dengan kemampuan kedalaman 200 kaki (60 meter). Alat ini dirancang khusus untuk penggunaan di bawah air, sehingga memiliki mode bawah air yang spesifik untuk memperhitungkan variabel penyerapan warna pada kedalaman yang berbeda. <\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

LENSA BASAH<\/strong><\/h3>\n\n\n\n

Kamera yang ditempatkan di dalam rumah biasanya memiliki port yang dapat dipertukarkan yang dapat mengakomodasi lensa sudut lebar atau makro. Kamera amfibi (dan juga beberapa kamera rumah) memiliki pilihan optik yang sama melalui lensa basah. Lensa ini berbentuk bayonet atau gesekan yang dipasang pada kaca depan dan merupakan aksesori yang sangat penting untuk fotografi bawah air, yang mengharuskan Anda untuk berada sedekat mungkin dengan subjek. Air 800 kali lebih padat daripada udara dan menambahkan corak warna cyan, jadi semakin sedikit jarak antara Anda dan subjek, semakin baik dalam hal warna dan resolusi. Anda bisa berada sangat dekat dengan karang atau bangkai kapal dengan lensa basah sudut lebar dan tetap mendapatkan seluruh subjek dalam gambar. <\/p>\n\n\n\n

For macro photography, the camera\u2019s telephoto functionality, in conjunction with a wet lens, allows the photographer to fill the frame with tiny reef creatures.  <\/p>\n<\/div>\n\n\n\n

\n
\"Subjek
Large subjects such as sharks require a wide-angle feature or lens.\u00a0\u00a9 TOBIAS FRIEDRICH<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

PENGATURAN<\/strong><\/h3>\n\n\n\n

Kamera saku biasanya memiliki banyak fungsi otomatis yang mudah digunakan jika Anda lebih suka membidik dan membidik, tetapi dengan memahami pengaturannya, Anda dapat mengubah sebagian parameter di hampir semua kamera saku, yang bisa membuat perbedaan antara gambar yang bagus dan gambar yang luar biasa. <\/p>\n\n\n\n

Keseimbangan putih adalah salah satu variabel yang paling penting. Keseimbangan putih otomatis biasanya menghasilkan warna yang layak, tetapi beberapa kamera saku memiliki pengaturan yang sudah ditentukan sebelumnya untuk hari yang cerah atau mendung dan bahkan mungkin memiliki pengaturan bawah air. SeaLife Micro 3.0, misalnya, memiliki pengaturan awal untuk keseimbangan dangkal, dalam, dan hijau-putih, yang bisa berguna dan mudah diubah. <\/p>\n\n\n\n

\n
\n
\"Perspektif,
The right perspective, composition, and lighting are crucial for a good image. \u00a9 TOBIAS FRIEDRICH<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Anda biasanya dapat mengubah kualitas gambar dengan memotret dalam format JPG atau RAW atau memilih kualitas video Anda. Pemrosesan pasca jauh lebih kuat dengan file RAW, tetapi Anda akan membutuhkan akses ke perangkat lunak seperti Adobe Photoshop atau Lightroom dan beberapa keterampilan komputer. Jika menggunakan mode otomatis, Anda dapat menganalisis hasilnya untuk melihat apakah foto Anda secara konsisten terlalu terang atau gelap. Cukup dengan memutar preset kompensasi pencahayaan dapat membantu menghasilkan gambar yang lebih berkualitas.<\/p>\n\n\n\n

I like to use the lowest possible ISO speed for light sensitivity because the small sensors in these cameras don\u2019t offer the dynamic range of a full-frame sensor. Lost shadow detail, blown highlights, and excessive grain become increasingly problematic at higher ISOs. A 1600 ISO might offer barely discernible grain with a flagship mirrorless camera from Nikon, Canon, or Sony, but the grain might be very distracting at that same ISO with a compact camera.<\/p>\n\n\n\n

Understanding how different settings apply to the dive environment will ensure better photographs. Using the screen to review the image while shooting is a good idea to make sure it comes out well. Digital media\u2019s incredible image capacity and immediacy of review are the transformational advantages of digital versus film, so take advantage of them.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

LAMPU SOROT DAN LAMPU VIDEO<\/strong><\/h3>\n\n\n\n

Anda dapat menggunakan kamera saku yang hanya memiliki cahaya sekitar, tetapi kemungkinan besar akan menjadi monokromatik kecuali jika Anda berada di perairan dangkal. Memotret dengan matahari di belakang fotografer dan menyinari subjek biasanya akan menghasilkan gambar terbaik, sementara memotret subjek dengan cahaya latar sering kali membuat gambar yang membingungkan secara visual, kecuali jika siluetnya kuat dan jelas. <\/p>\n\n\n\n

Sometimes you won\u2019t have a choice during a dive, but it\u2019s a good idea to photograph a subject from different perspectives if you can. You can easily go through the images later and delete the ones you don\u2019t like, which is another advantage of digital photography. <\/p>\n\n\n\n

Untuk mendapatkan warna dalam fotografi bawah air, Anda harus bekerja di air yang sangat dangkal atau menggunakan cahaya buatan. Housing terbaik mendukung baki dengan pegangan ergonomis untuk memasang lampu. Strobo dapat terhubung ke housing melalui sinkronisasi tradisional, tetapi sistem ini semakin bergantung pada kabel optik. <\/p>\n\n\n\n

Some housings or amphibious cameras have no strobe connectivity, so the only option is a video light. The good things about video lights are that you don\u2019t need any cables and you can see where your continuous light source strikes the subject, but they are considerably weaker than a strobe firing a millisecond flash at high power. You will need to be within 1 to 2 meters for even an intense video light to be effective, but you can see a big difference the deeper you dive and the less ambient light you have.<\/p>\n\n\n\n

The video light will have minimal impact in bright sunlight, so it\u2019s better to shut it off, save the battery, and avoid scaring away or distracting the animals. <\/p>\n<\/div>\n\n\n\n

\n
\"Untuk
To capture vibrant colors at depth, get close to the subject and use a strobe or video light. \u00a9 TOBIAS FRIEDRICH<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

KOMPOSISI<\/strong><\/h3>\n\n\n\n

As in nature photography, perspective and background are crucial in underwater photography. The correct exposure and the right motif are also required. If you photograph a fish\u2019s tail fins only from behind, it looks like the fish is trying to swim away. While that may be true in reality, it is not the optimal composition. <\/p>\n\n\n\n

Eye contact with the subject provides a dramatically improved perspective. Getting the picture free from disturbing elements \u2014 such as unsightly algae, undefined backgrounds, or featureless foregrounds \u2014 is not easy. The best questions to ask yourself are, Is the image you see through the viewfinder worthy of pressing the shutter button, and if not, can you make it so?<\/p>\n\n\n\n

Small cameras have the advantage over large camera rigs in smaller environments. You can use this advantage to get angles of subjects that other photographers usually can\u2019t do, but it\u2019s always most important not to disturb or destroy any marine life while you shoot. If you consider these things during a dive and take them to heart, you can create better images.<\/p>\n\n\n\n

Pascaproduksi<\/strong><\/h3>\n\n\n\n

Even though the image quality of current compact cameras is excellent, photos from them can often use a bit more contrast or color. The easiest way is to download or transfer the images to your phone, computer, or tablet and use a processing application to make small changes. The device\u2019s native software can make some minor adjustments such as cropping the image, tweaking exposure, or modifying color or saturation. If those are not enough features for you, you can download other, sometimes free, apps such as Snapseed<\/em>. Aplikasi dapat menyediakan lebih banyak alat bantu untuk menyempurnakan gambar atau mereproduksi efek. <\/p>\n\n\n\n

Adobe Lightroom is probably the best and most-used tool for image postproduction. Almost anything is possible, but if you don\u2019t know how to use the software, presets are available that will let you quickly edit an image. <\/p>\n\n\n\n

Untuk mendapatkan kualitas terbaik selama pascaproduksi, atur kamera Anda ke kualitas gambar atau video terbaik yang tersedia. Sebagian besar kamera saku mendukung format RAW, yang biasanya merupakan kualitas tertinggi.  <\/p>\n\n\n\n

Fungsi pasca-produksi yang penting adalah menyempurnakan gambar, tetapi tetap terlihat wajar. Perubahan yang ekstrem dapat membuat gambar menjadi tidak wajar atau terlihat surealis. IKLAN<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n
<\/div>\n\n\n\n

\u00a9 Alert Diver<\/em> - Q3 2023<\/p>","protected":false},"excerpt":{"rendered":"

MANY DIVERS DON\u2019T WANT TO TAKE LARGE digital single-lens reflex (DSLR) housings or expensive mirrorless cameras on their dives. Their goal is to capture memories to show their family or post on social media, not to get the highest-quality underwater images.<\/p>","protected":false},"featured_media":25557,"template":"","dan_alert_diver_categories":[67],"dan_alert_diver_issues":[487],"class_list":["post-25556","dan_alert_diver","type-dan_alert_diver","status-publish","has-post-thumbnail","hentry","dan_alert_diver_categories-imaging","dan_alert_diver_issues-q3-2023"],"acf":[],"yoast_head":"\nUnderwater Photography with Compact Cameras - DAN World<\/title>\n<meta name=\"description\" content=\"MANY DIVERS DON'T WANT TO TAKE LARGE digital single-lens reflex (DSLR) housings or expensive mirrorless cameras on their dives. Their goal is to capture memories to show their family or post on social media, not to get the highest-quality underwater images.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/world.dan.org\/id\/alert-diver\/article\/underwater-photography-with-compact-cameras\/\" \/>\n<meta property=\"og:locale\" content=\"id_ID\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Underwater Photography with Compact Cameras\" \/>\n<meta property=\"og:description\" content=\"MANY DIVERS DON'T WANT TO TAKE LARGE digital single-lens reflex (DSLR) housings or expensive mirrorless cameras on their dives. 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