{"id":32534,"date":"2025-08-28T14:46:33","date_gmt":"2025-08-28T18:46:33","guid":{"rendered":"https:\/\/world.dan.org\/?post_type=dan_alert_diver&p=32534"},"modified":"2025-08-28T14:46:53","modified_gmt":"2025-08-28T18:46:53","slug":"imran-ahmad","status":"publish","type":"dan_alert_diver","link":"https:\/\/world.dan.org\/id\/alert-diver\/article\/imran-ahmad\/","title":{"rendered":"Imran Ahmad"},"content":{"rendered":"

The sea enthralled lmran Ahmad from a very early age. Growing up in Singapore, young lmran never missed an opportuniry to go fishing with his father, a police officer, on their boat off the coast.<\/p>\n\n\n\n

He recalls an early conversation with his father, suggesting his path might be different from his peers. After watching a National Geographic <\/em>television special that featured divers and their underwater cameras, he told his father that’s what he wanted to do when he grew up.<\/p>\n\n\n\n

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\"a
Changing Perspectives My dive buddy asked why I had my Nikonos RS 13mm lens instead of my go-to macro tool, the reverse ring macro, mounted on my housing. My reply was, \u201cI love being surprised.\u201d Lembeh Strait, Indonesia, is one the world\u2019s greatest macro photography destinations, but if you dive deeper and away from the hordes of macro photographers, you\u2019ll chance upon a beautiful area of soft corals swaying in the gentle current. Sometimes it is all about changing your perspective.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Reverse
Reverse Ring Macro Combination Lens on a Frogfish \u2013 My first trip to Anilao was in 2011, and I was not sure what to expect. I was in the testing stage with my reverse ring macro setup and decided to experiment with it. This setup was a 24-70mm lens stacked with an inverted 50mm f\/1.4 lens. Before taking this shot, I tested with other colors of frogfish, but this black and yellow frogfish was the toughest. It was hanging in the current on a ledge at 65 feet (20 meters), but as soon as I looked into the viewfinder I knew this shot was the one. The bokeh was creamy and popping, and I knew this image would be a classic.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

While lmran’s father initially pushed back, saying their family’s aspirations for him aligned more with engineering, medicine, or finance, that resistance didn’t last long. By the time lmran was 8, his father had bought a camera and showed him how it worked.<\/p>\n\n\n\n

lmran became fully immersed in the National Geographic <\/em>documentaries and imagined himself as a budding David Doubilet. His family was at the beach one day when his father finally agreed to let him take some pictures on his own. He promptly ran down to the surf line and jumped in, with his dad’s new camera proudly slung around his neck. Unfortunately, it was not an underwater camera.<\/p>\n\n\n\n

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\"Teddy
Teddy Bear Crab \u2013 Gorontalo is a province on Sulawesi in Indonesia. Known for its clear water, gentle giant whale sharks, and stunning wall dives, it is not a macro mecca. But with the sharp eyes of my photo guide, Yunis, I found a teddy bear crab nestled among the soft coral, staring at me. I first saw this gem of a macro critter in 2000 and encountered it again in 2014.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Art
Art Meets Science, Aldabra Atoll \u2013 While most people might enjoy the sunset view from the comforts of the beach lounge, I paddled out to experience the adrenaline rush of the golden hour in Aldabra Atoll, Seychelles. It is not an easy location to get to, but the rewards in this place where art meets science are commensurate with the effort.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

After that inauspicious introduction to underwater photography, his epiphany happened when Stan Waterman and Doubilet came to Singapore as part of a speaking tour. When the slide and movie presentation concluded, 12-year-old lmran was first in line to shake Doubilet’s hand.<\/p>\n\n\n\n

What words of wisdom does he recall from Doubilet that day? “Nudibranchs taste like chicken.” I can see Doubilet saying something whimsical like that with a knowing wink to an eager young child. Imran replied, “I will shoot like you.” He had lofty ambitions but a confidence and single-minded passion that never wavered.<\/p>\n\n\n\n

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\"Imran
Imran Ahmad<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"World
World of Acropora in Melissa\u2019s Garden in Raja Ampat, Indonesia \u2013 I wanted both divers and nondivers to appreciate the importance of our marine ecosystem and how fragile, beautiful, and mysterious it is. The 8-15mm Nikkor fisheye lens can be zoomed to either rectilinear or circular wide angle, and I sparingly use the 8mm circular. In this case I was hovering above one of the most beautiful sights in Raja Ampat: Melissa\u2019s Acropora garden.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Not understanding the difference between an underwater camera and a topside one was not the only gap in his photography knowledge base. He did not know the basics of apertures and shutter speed. An artisan who processed film and made prints in an analog darkroom befriended him and inspired him to buy his first camera so he could experiment.<\/p>\n\n\n\n

At the local flea market, lmran found a Minolta 7xi, a film single-lens reflex (SLR) camera with chips you could insert that would control the automation. It could also operate manually, which is how lmran used it, voraciously shooting all manner of nature and urban subjects around Singapore.<\/p>\n\n\n\n

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\"Close
Close Portrait of a Tiger Shark in the Bahamas \u2013 A 50mm f\/1.8 lens isn\u2019t the normal tool for a portrait of a large tiger shark. While others at Tiger Beach in the Bahamas concentrated on the wide view, I wanted to get more intimate with the close-up. I wanted to reveal the ampullae of Lorenzini, cuts, and pigmentation. Reviewing the images later changed the way I view tiger sharks.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Houndsharks
Houndsharks Patrolling in Shark City \u2013 Shark City is a unique site in Ito, Tateyama, Japan. While researching potential locations for shark photos, I stumbled upon an article about a sharknado by a Japanese photographer. It didn\u2019t take long to plan and photograph it myself. I find it best to shoot in winter, when there are fewer people and cleaner water. You will be surrounded by hundreds of houndsharks, stingrays, guitarsharks, and giant groupers patrolling the blue looking for their next meal.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

He had two major goals at this point: to dive and to buy an underwater camera. He worked in a coffee shop to pay for his dive training, achieving the first goal. Brochures for the new Nikonos V had just come out, but that camera was beyond the family’s financial reach. So he settled for a secondhand Nikonos III with a 35mm lens and an extension tube set.<\/p>\n\n\n\n

Every male child in Singapore over 16 serves in the army for two years, but that was barely a speedbump in <\/strong>lmran\u2019s path to the sea and did not derail his dreams.<\/p>\n\n\n\n

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\"Clear
Clear Blue Water and Sergeant Majors \u2013 Being surrounded by fish is an awesome feeling. Everything seems in balance and joyous. We were looking for the cover shot for my book, Seychelles: Unexpected Treasures, and this image was a contender. We used it for an interior page design instead.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Photographing
Photographing Shipwrecks in the Bahamas \u2013 I was diving from a private yacht off the southwest end of New Providence Island in the Bahamas. As we moored, I looked over the side to see the most beautiful azure water. It was clear as far as I could see, and in the shallow water below us was the unmistakable outline of a shipwreck. We dived the perfectly upright wreck, and the model provided a sense of scale. With the right timing and light conditions, shots like this are easy to master. After all, your primary subject isn\u2019t going to swim away from you!<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

When he returned to civilian life, he worked for a dive shop in Singapore and began leading as many as 45 trips a year for dive shop clients -short jaunts to nearby Malaysia and Indonesia for the clear water and coral reefs they couldn’t find in their nearshore waters.<\/p>\n\n\n\n

He bought a Nikonos SB-103 strobe at another flea market and discovered color could exist in his underwater photos. It also provided a commercial opportuniry to sell slides to his travel clients.<\/p>\n\n\n\n

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He also learned how to disassemble and repair his Nikonos camera and lens when it inevitably flooded rather than sending it off every time water slipped past an O-ring. His next acquisition was a wide-angle Sea and Sea 15mm lens. By his late teens, lmran could shoot the kinds of images he saw in Asian dive magazines and build a portfolio that had editorial viability.<\/p>\n\n\n\n

Whenever he traveled, he went to bookstores to find the addresses of dive magazine editors. His snail-mail query letter was always the same: “I’m a budding underwater photographer in Asia. Can I do work for you?”<\/p>\n\n\n\n

He showed up unannounced at the office of David Espinosa of Scuba Diver AustralAsia. <\/em>Espinosa was on deadline and had no time to chat, sohis door was closed. Undeterred, lmran slid his portfolio beneath the door. Espinosa remembered him for his audacity but also his talent. They eventually would work together frequently after lmran’s photo of a mimic octopus trying to eat a shrimp finally resonated and made it to the printed page.<\/p>\n<\/div>\n\n\n\n

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\"Striped
Striped Triplefin Goby \u2013 Macro photography goes beyond just a magnified view. I enjoy the extra bokeh a macro image generates and controlling the depth of field to show my audience what I want them to see. Macro is isolating the interesting. With my reverse ring macro technique, which I\u2019ve mastered after lots of practice, I could reveal specific details of this striped triplefin goby in Bali.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

His first significant break came when Robert Lo, owner of the Sipadan-Mabul Resort, commissioned lmran to photograph and produce a book highlighting his resort and the dive opportunities around Mabul and Sipadan, Malaysia. A solid month of divingfollowed. lmran learned how to conceptualize a book, work with a designer and printer, review match prints, and know the difference between CMYK and RGB color spaces.<\/p>\n\n\n\n

They eventually had a beautiful underwater photography book, and Lo was eager to publicize it. With a travel budget and the book as a calling card, lmran began working the Asian consumer dive show circuit, trying to meet magazine editors and provide them with images that fit their editorial vision.<\/p>\n\n\n\n

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\"Island
Island Hopping and Dipping My Dome in the Shallows \u2013 This shot was straightforward, aside from the rigors of getting to where it happened in Glacis, Seychelles. I was inspired by photos I had seen in surf magazines. There were a few trials to refine my concept, but it was all timing in the end.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Red
Red Snappers Intrigued by My Dome Port \u2013 The Maldives is almost heaven for underwater photographers. I love the fish action and clarity. All you need is some current and a dash of luck. While doing my five-minute safety stop, we drifted toward a small school of red snappers. The electric red vibrating with the calming blue of the water column begged to be photographed.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

His greatest mentor of this era was Dietmar Fuchs, then editor of Unterwasser <\/em>magazine, who immediately recognized lmran’s unique vision and work ethic and provided introductions and publishing opportunities. That support opened the European magazine market, expanding lmran’s established presence in <\/strong>Asian dive magazines.<\/p>\n\n\n\n

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He went to the giant Boot watersports show in Dusseldorf, Germany, and in 2006 he attended his first Diving Equipment and Marketing Association (DEMA) Show in North America. This year was when the pieces began to fall into place.<\/p>\n\n\n\n

North American clients and affiliations with Seacam and Nikon followed. He was a featured photographer for Fuchs’ 2012 coffee-table book and produced a destination book for Seychelles, the cover of which is replicated on the cover of this issue of Penyelam Siaga.<\/em><\/p>\n\n\n\n

lmran has long been a university lecturer, teaching communications for the past 25 years from a university campus in Singapore and virtually to students in the United Kingdom and Australia. About 70% of his professional life is devoted to teaching and the other 30% to underwater photography, either leading photo tours or doing magazine assignments.<\/p>\n\n\n\n

The skills he learned keeping his Nikonos III alive after flooding have evolved into underwater housing repair facilities, mostly for Seacam housings, located wherever he is residing at the time, either in <\/strong>Kuala Lumpur or Singapore.<\/p>\n\n\n\n

There is the ocean-facing lmran Ahmad, yet there is a private side as well. He is a devoted family man with his wife, Debbie, and 11-year-old daughter, lzabell, who just got dive certified. Like her mom and dad, Izzy is a proud member of DAN World and enjoys dive holidays withher family while trying to find her own way to uphold the family tradition of drowning one of her dad’s cameras.<\/p>\n<\/div>\n\n\n\n

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\"Juvenile
Juvenile Barramundi \u2013 Understanding a fish\u2019s character is important. While trying to photograph the juvenile barramundi, I learned that it was much easier at night than in the day. It was definitely more relaxed. I had good luck using video lights instead of strobes. There may be luck in what you encounter, but success is about being prepared.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Jelajahi Lebih Lanjut<\/strong><\/h2>\n\n\n\n

Find more about Imran Ahmad in this bonus photo gallery and video.<\/p>\n\n\n\n

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