Most of our experiences in digital photography are somewhere between one end of a spectrum and the other. Underwater photographers often make an either/or distinction when describing how we shoot, […]
Van Morrison dropped his 34th album, Born to Sing: No Plan B, in 2012. David Fleetham, now 48 years into his career as a professional underwater photographer, reflects on that […]
Les caméras d’action sont une solution compacte très répandue pour capturer d’excellentes vidéos, et parfois des photos. Avec la diversité des marques et la multitude d’accessoires disponibles — filtres, lentilles, éclairages — il n’a jamais été aussi simple d’obtenir de belles images sous-marines.
It doesn’t seem so long ago that I rolled into Key Largo, Florida, with a Nikonos II camera and a darkroom sink in the back of my Chevy van to figure out how to make a living as an underwater photographer. Things have changed since 1978, and underwater photography is not the novelty it was when I started.
Think about the first time you picked up an underwater camera — what was the initial reason? Maybe you wanted a way to record your dives or a mechanism to show your nondiver friends and family the beauty of the underwater world.
The sea enthralled lmran Ahmad from a very early age. Growing up in Singapore, young lmran never missed an opportuniry to go fishing with his father, a police officer, on their boat off the coast.
Working with models underwater has been a fundamental cornerstone of my career for more than four decades. I love shooting images of marine life, but for magazine editorial assignments, advertising photographs, and stock photography with model-released people, collaboration with a skilled underwater model has been paramount.
We are the product of our cultures and our life’s experiences, but a simple twist of fate can alter our life’s trajectory. That’s what happened for Jade Hoksbergen. It’s hard to imagine, given her underwater photography, that she was afraid of the water as a child.
