IMAGINE SCROLLING THROUGH SOCIAL MEDIA posts or flipping through your favorite dive magazine. Your eye catches a photo of the most pristine waters you have seen. The sun is peeking through the surface, beautifully illuminating coral in pops of color in every direction. A diver overhead perfectly balances the composition.
BEFORE THE INTERNET WAS AVAILABLE, people read print magazines to learn about scuba diving — how to do it, what gear to buy, and where to go. For 51 years, from 1951 to 2002, the king of the genre was Skin Diver magazine. The undisputed queen of cover photography for Skin Diver was Geri Murphy.
Imagine waking up in the early hours of the morning at your favorite dive site. The sun hasn’t quite peaked above the horizon, and light is minimal. You don your dive gear, grab your camera, and giant stride off the back of the boat to begin your descent into the dimly lit ocean.
Over the years I have often admired Gerald Nowak’s underwater photos. There is so little overlap between the markets available to European versus North American photographers, however, that I did not know the backstory of his career. A recent phone call rectified that.
Having their work showcased in a print magazine is one of the greatest satisfactions for underwater photographers.
In the opening chapter of The World Beneath: The Life and Times of Unknown Sea Creatures and Coral Reefs, his acclaimed combination coffee table book and coral reef reference guide, Richard Smith, PhD, recalls his six months of shore diving and research in 2007 at the Wakatobi reefs in Indonesia.
In 1992 I received a call from Graeme Ferguson, a co-founder of IMAX Corporation, that changed the course of my career.
Most blackwater divers agree it only takes one good dive to hook you. The idea of jumping off a boat at night, miles from shore, with only a few lights to guide your way might sound terrifying, but the experience is unlike anything our imaginations could conjure.
Capturing good pictures of whales is among the most rewarding photographic experiences an underwater photographer can have. These majestic and charismatic creatures evoke wonder, and the time spent with them will likely be unforgettable. The environments where you find them, however, along with their sheer size and elusive nature present challenges.
David Doubilet said it first and best. “He uses boundless imagination and a keen eye to peel back the surface and expose a world that is beautiful, bizarre, and wonderfully unexpected,” Doubilet said about Alex Kirkbride’s remarkable underwater photographic journey through all 50 states for his book American Waters.