Shooting in a Turbid Environment

Turbid water can be a challenging environment for underwater photographers, particularly when shooting wide angle. Turbid water may not appear brown or green from the surface — in many cases the water looks entirely different once we drop in and begin the dive. All water is turbid to some degree. Understanding what causes turbidity and knowing how to work around it can make a world of difference when shooting in those conditions. One of the best skills a photographer can develop, particularly for shooting wide angle, is learning how to read water quality.

Jennifer Hayes

READERS WILL KNOW THE BYLINE “David Doubilet and Jennifer Hayes” from scores of National Geographic magazine features. Working as a team they have photographed the wild ocean from the tropics to both polar regions and even some rather unusual aquatic realms in between.

Harp seal pup

Imran Ahmad

The sea enthralled lmran Ahmad from a very early age. Growing up in Singapore, young lmran never missed an opportuniry to go fishing with his father, a police officer, on their boat off the coast.

Early Morning Rush Hour with School of Redtoothed Triggerfish

Recovering Color in Underwater Photography

IMAGINE SCROLLING THROUGH SOCIAL MEDIA posts or flipping through your favorite dive magazine. Your eye catches a photo of the most pristine waters you have seen. The sun is peeking through the surface, beautifully illuminating coral in pops of color in every direction. A diver overhead perfectly balances the composition.

Underwater Photography with Models: The Magnificent Seven

Working with models underwater has been a fundamental cornerstone of my career for more than four decades. I love shooting images of marine life, but for magazine editorial assignments, advertising photographs, and stock photography with model-released people, collaboration with a skilled underwater model has been paramount. 

Underwater model poses in front of the camera next to coral.

Photography in the Plimsoll Interface

Underwater photographers sometimes refer to the narrow water zone where a subject splits the surface as the Plimsoll interface. Opportunities abound here for dynamic shots achieved by angling the camera above or below the waterline. The dedicated and creative underwater photographer can capture traditional over-under split shots with a standard straight meniscus and dramatic reflections from below of the subject, the sunlight or both as part of a modified split shot or a fully underwater picture.

sharks with sunset above

Geri Murphy

BEFORE THE INTERNET WAS AVAILABLE, people read print magazines to learn about scuba diving — how to do it, what gear to buy, and where to go. For 51 years, from 1951 to 2002, the king of the genre was Skin Diver magazine. The undisputed queen of cover photography for Skin Diver was Geri Murphy.

pygmy seahorse in Indonesia

A Simple Twist of Fate

We are the product of our cultures and our life’s experiences, but a simple twist of fate can alter our life’s trajectory. That’s what happened for Jade Hoksbergen. It’s hard to imagine, given her underwater photography, that she was afraid of the water as a child.

A pair of juvenile longfin batfish.

Underwater Smartphone Photography

LIKE ANOTHER UNIVERSE, the underwater world is full of whimsical inhabitants, sinuous sharks, and huge mammals that have always fascinated people and probably always will. As a photographer, you enter completely new territory when you begin shooting underwater and learning how to adapt to the conditions of the aquatic world. Lighting subjects underwater differs significantly […]